Hudkins depicted in a
cartoon by the Montana Standard of May 5th 1929.
Ace Hudkins
possessed a nickname as befitting of the personal style of any fighter in
boxing history.
Consider this
excerpt from a newspaper clipping culled from Hudkins’ scrapbook by his
biographer:
Ace Hudkins
is a showman as well as a fighter.
The tow-head
from Nebraska always leaps and
Jumps to his
corner after every round. He wears a
Cap turned
sideways on his head into the ring -
Showmanship
and nothing less.
The sobriquet
‘Wildcat’ summed up his persona inside the ring. One boxing writer even opined
that had Hudkins been born a few decades earlier, he would have been a “killer
simple and pure”: a gunslinger in the mould of Billy the Kid. Journalistic
hyperbole perhaps, but his roughness contributed to his being barred from
fighting in New York State by its boxing commissioner.
An often
restless and gregarious adventure seeker, Hudkins took well to the challenges
offered by the life of a boxer. The blood and guts drama of pugilism along with
the frequently peripatetic existence that being a fighter entailed fulfilled
his nature-given urges and seeming boundless reserves of energy.
But he was
also family-orientated (his brothers Art and Clyde managed him), an aspect
which contributed to his ability to deal with the highs and lows of an industry
with a copious supply of shysters and leeches.
Born Asa
Hudkins in the state of Nebraska in 1905, he entered the professional ranks in
1922 and over the course of a decade fought from the lightweight division
through to light heavyweight, and though never winning a world title, acquitted
himself well against some of the best boxers of his era.
He was never
knocked out.
In Boxing With The Nebraska Wildcat we
find Hudkins’ name entwined with those of Lew Tendler, Ruby Goldstein, and
Mickey Walker. Each encounter provided evidence of Hudkins’ true pedigree. He
scored two points victories over Tendler, a man widely considered to have been
one of the best boxers never to have won a world title. His knockout defeat of
Goldstein, a talented and very popular fighter known as “The Jewel of the
Ghetto”, was a stunning upset which one writer described as “the fight that
broke the Jewish banks.” At the time of their meeting, Goldstein had not tasted
defeat in his 23-fight career. And his first fight against Mickey Walker was
acknowledged at the time to have been unjustly awarded to Walker. “Just another
robbery in Chicago” recorded the Lincoln
State Journal the day after the referee’s score in favour of Hudkins was
obviated by those provided by the two Chicago businessmen who served as
ringside judges.
Hudkins was
as rough as they came (his bout with Sammy Baker is considered “the bloodiest
fight ever seen”), and he ruefully noted the perceptions of some that he was a
“foul fighter” so much so that he was considered “too uncouth for New York”.
But what he lacked in ring science, Hudkins made up with tenacity and an acumen
for inside-fighting. His penchant for brawling, what some today would refer to
as ‘Mexican Style’, was not solely due to a natural inclination towards
bravado, it was a marketing tool designed because as he acknowledged, it was
fighters of this ilk who, in his words, “attract the dough to the box office”.
It paid off, because Hudkins reputedly became one of the biggest draws in
southern California during the 1920s.
In his prime,
Hudkins was written of by the likes of Edgar Rice Burroughs, he sparred with
Rudolph Valentino and was friendly with Charles Lindbergh who lived two blocks
away in Lincoln when Lindbergh started his flight training in the early 1920s.
Kristine
Sader, the great-niece of Hudkins, has consulted many sources including family
scrap books and oral history to put together a fascinating document on the life
of one of boxing’s neglected characters.
The book is
not set out in the form of a conventional biography and instead functions as an
elaborate continuum of the multiple scrapbooks created after his career by
Hudkins’ partner. It is an assemblage of rare photographs, reproductions of
newspaper articles and author text, which not only provides insight into
Hudkins the man, but also fits him within the times in which he lived.
It is a heart-warming
portrait of a fearless pugilist and is highly recommended to a general
readership.
Ace Hudkins: Boxing With The Nebraska Wildcat by Kristine Sader
Self-Published,
$25, 290 pages, Paperback, 978-1732852907.
© Adeyinka
Makinde (2019)
Adeyinka
Makinde is the author of Dick Tiger: The
Life and Times of a Boxing Immortal and Jersey
Boy: The Life and Mob Slaying of Frankie DePaula. He is also a contributor
to the recently released Cambridge
Companion to Boxing.
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