The original JERSEY BOYS: Frankie Valli (left) and Frankie DePaula captured sometime in the late 1960s. Valli, who was born Francesco Castelluccio in Newark, NJ, is of course the legendary singer of the Four Seasons and subject of the successful Broadway musical 'Jersey Boys', while the deceased DePaula, a native of Jersey City, NJ, was the subject of my book Jersey Boy: The Life and Mob Slaying of Frankie DePaula. (PHOTO: Richard Gizzi).
Monday, 6 August 2012
The Original Jersey Boys: Frankie Valli and Frankie DePaula
The original JERSEY BOYS: Frankie Valli (left) and Frankie DePaula captured sometime in the late 1960s. Valli, who was born Francesco Castelluccio in Newark, NJ, is of course the legendary singer of the Four Seasons and subject of the successful Broadway musical 'Jersey Boys', while the deceased DePaula, a native of Jersey City, NJ, was the subject of my book Jersey Boy: The Life and Mob Slaying of Frankie DePaula. (PHOTO: Richard Gizzi).
Friday, 13 July 2012
Profile of Wole Soyinka
Akinwale Oluwole
Soyinka holds the distinction of being the first African winner of the Nobel
Prize for Literature. His works, which have encompassed drama, novel and poetry
genres, have tended to reflect the syncretism of Yoruban culture and the
subversive instincts of his Egba heritage; traits which also marked the career
of his famous musician cousin Fela Anikulapo-Kuti.
With
his distinctive bushy Afro and fulsome goatee, whitened over the course of
time, Soyinka's physical appearance, cutting the seemingly contradictory figure
of a free spirited eccentric with the stentorian bearings befitting an
academic, has often been matched by the deeds of the man: one whose facility
with the complex usage of formal language is distilled through an engaging
acerbity and an often indelicate witticism.
Rebellious,
raffish, and something of a loose canon, he is not unlike his contemporaries
Chinua Achebe and Ngugi Wa Thiogo; much of his work having been steeped in
observations and analysis of Africa's colonial heritage and post-colonial woes
of despotism.
He
was born in 1934 to a solidly middle class family in the Western Nigerian city
of Abeokuta; the bastion of the Egba sub-group of the Yoruba. Although brought
up as a Christian, his life and works have consistently demonstrated a
pre-occupation with Yoruba mythology.
His
higher education began in 1952 at Government College, Ibadan. In 1954, he left
for England to study at the University of Leeds and completed his first degree,
a BA in English Literature, in 1957. During his sojourn, Soyinka worked as a
dramaturgist at the Royal Court Theatre in London. He busied himself making contacts
and associations with people in the arts world and wrote his first plays
including a light comedy, The Lion and the Jewel.
Returning
to Nigeria, after six years, Soyinka began studying African Drama, a devotion
he was able to focus upon as a result of the award of a Rockefeller bursary. It
enabled him to embark on an attempt at merging Western and Yoruba theater
traditions.
To this end, he founded an amateur dramatic ensemble called 'The 1960 Masks', and four years later the 'Orisun Theater Company,' which produced his plays, most of which he directed and in some of which he took acting roles. He pursued these endeavours while holding teaching positions at the Universities of Ibadan, Lagos and Ife.
To this end, he founded an amateur dramatic ensemble called 'The 1960 Masks', and four years later the 'Orisun Theater Company,' which produced his plays, most of which he directed and in some of which he took acting roles. He pursued these endeavours while holding teaching positions at the Universities of Ibadan, Lagos and Ife.
Yet,
these immersions in both the arts and academia were not the total ambit of his
range of expression. Increasingly, Soyinka began to apply himself within the
maelstrom of Nigerian post-independence politics.
Much of the dangerously conflictual nature of political life in the country was manifested in his native Western Region; strife-ridden and unstable because of an intensifying rivalry within the ruling Action Group party led by Obafemi Awolowo, and his deputy Ladoke Akintola.
Much of the dangerously conflictual nature of political life in the country was manifested in his native Western Region; strife-ridden and unstable because of an intensifying rivalry within the ruling Action Group party led by Obafemi Awolowo, and his deputy Ladoke Akintola.
In
1965, Soyinka was falsely accused of entering the broadcasting house in Ibadan
to force a producer to play a pre-recorded tape at gun point. He was
subsequently imprisoned, but later released, due in part to an international
campaign led by Western artists such as Norman Mailer.
Soyinka's political activism included a vain attempt at brokering a peace between the secessionist state of Biafra and the federal government of Nigeria. He was imprisoned in 1967 by the military leader, General Gowon, and released in 1969. His recollections of his incarceration, much of which was spent in solitary confinement, would be published in his work, The Man Died.
Soyinka's political activism included a vain attempt at brokering a peace between the secessionist state of Biafra and the federal government of Nigeria. He was imprisoned in 1967 by the military leader, General Gowon, and released in 1969. His recollections of his incarceration, much of which was spent in solitary confinement, would be published in his work, The Man Died.
Soyinka
inaugurated successive decades with two popular plays heavy on sacarcism: The
Trial of Brother Jero (1960)
and Madmen and Specialists (1970). The 1970s was a welter
of creativity. More of his plays including Death and the King's Horseman (1976) were staged internationally,
and a film version of his novel Kongi's Harvest was produced. He also took up several
academic appointments abroad.
Still,
politics remained at the fore of his activities. Whether it was criticising the
corruption of the Nigerian military or the tyranny of African despots or the
inhumanity of apartheid, Soyinka was in his element; his abiding concern being:
"the oppressive boot and the irrelevance of the colour of the foot that
wears it."
It
was a principle that he held to when campaigning against the dictatorship of
General Sani Abacha in Nigeria from where he was forced to flee in 1994,
although many felt him compromised when soon after his 1986 award of the Nobel
Prize, he accepted a position as chairman of the Road Safety Corps which had
been created under the auspices of the regime of Abacha's predecessor, General
Ibrahim Babangida.
Before this, Soyinka's personal pleas for clemency on behalf of Mamman Vatsa, a soldier who was also a published poet, proved futile, and Vatsa was shot before a firing squad for participating in a coup which many now acknowledge to have been non-existent.
Before this, Soyinka's personal pleas for clemency on behalf of Mamman Vatsa, a soldier who was also a published poet, proved futile, and Vatsa was shot before a firing squad for participating in a coup which many now acknowledge to have been non-existent.
Soyinka
continues to play the roles of an academic and political activist. His most
recent chairs have been in the United States while in Nigeria he has served as
a key member of PRONACO (Pro-Sovereign National Conference Coalition); a group
seeking a national conference to determine Nigeria's political future. He also
travels widely on the lecture circuit. In 2007, he published a memoir, You Must Set Forth at Dawn, the completion
of his earlier works, Ake: The Years of Childhood, Isara:
A Voyage around 'Essay, and Ibadan: The PenkelemeYears.
Be
it as playwright, lecturer, social critic, or raconteur, Wole Soyinka has
consistently enlightened and challenged through the creative use and
calibration of language; a special skill acknowledged by the award of the Nobel
prize and encapsulated in the words of the awarding Swedish Academy by their
reference to him as one "who in a wide cultural perspective and with
poetic overtones fashions the drama of existence."
Written
for the brochure accompanying the Diaspora Showcase Africa event held on 20th
September 2008 in Tucson, Arizona.
(c)
Adeyinka Makinde (2007)
Tuesday, 3 July 2012
COMMENTARY: The Spanish National Football Team’s Place in History
The
defeat of Italy by Spain in the finals of the recently concluded European
Championships tournament in Kiev has, if any doubts existed, confirmed the
current Spanish national football team as one of the greatest football squads
in history.
They
are the first team in the modern history of the sport to win consecutively,
three major tournaments; namely the 2008 Euros, the 2010 World Cup and now the
2012 Euros.
No
team before, not even the formidable West German machine of the early to middle
1970s, had ever accomplished the stunning feat of securing back-to-back
European Championship trophies, or were able to have won a final in such an
emphatic manner. The 4-0 trouncing of the Azzurri is the widest ever margin of
any final match.
The
appellation of greatness is the preserve of but a few national sides. In
Europe, the Dutch side of the early 1970s, purveyors of the system known as Totaalvoetball, immediately springs to
mind, as indeed do their West German contemporaries.
But
until the emergence of this particular Spanish side with its peculiar brand of
football, for many the apotheosis of footballing brilliance was attained by the
Brazilian World Cup-winning side of 1970.
That
side, emblematic of the romantic notions assigned to the Brazilian style which
combined attacking flair with a capacity for improvisation, represented the
culmination of a golden age of international dominance stretching back to their
World Cup triumphs in Sweden in 1958 and in Chile in 1962.
Although
acknowledged as a bastion of excellence in the sport, the Spaniards for decades
represented an exemplary case study in perennial underachievement at
international level.
It
was the enigma of Spanish football that after the European Nations Cup win of
1964, which followed the European Champions Cup dominance of the legendary Real
Madrid clubside of the 1950s and early 1960s, no further international honours
followed.
While
La Liga continued to be an esteemed football league producing a successive pool
of very capable players and even exceptional ones such as the strikers, Emilio
Butragueno and Raul Gonzalez; and even while Real Madrid and Barcelona remained
perennial powerhouses within the sphere of European football, success
continually eluded a national side which as hosts endured the embarrassment of
a futile campaign for the 1982 World Cup.
To
whom or what circumstances can this ascendancy to apparent dominance be
assigned? To answer this, a story of migration along with the cross-pollination
of footballing philosophy and culture requires telling.
The
roots of the methodologies employed by the Spanish national side and its style
of play lie interestingly in the aforementioned Totaalvoetball, the brain child of Dutch coach Rinus Michels who
led Ajax Amsterdam to European Champions Cup victories in 1971, 1972 and
1973.
It
is a tactical theory which is guided by the premise of all outfield players
being able to assume the role of any other player. It was a style of play which
Michels, for a time also the national manager, used to great effect at the
World Cup finals in 1974. That team, influenced by the brilliant skills and
technique of Johan Cruyff, of course, lost the final to West Germany.
Cruyff
transferred to FC Barcelona in the middle 1970s where during his lengthy
association with the club, both as a player and later as a manager, he remained
a proponent-in-chief of the philosophy of Totaalvoetball,
which Michels had brought to the Catalan side.
The
Dutch connection with Barcelona, which continued over the years through the
tenures of Cruyff, Louis Van Gaal and Frank Rijkaard, ensured the enduring
influence of the style; the tenets of which were inculcated by Josep ‘Pep’
Guardiola whose imposition of the Spanish-derivative labelled Tiki-Taka has brought the club an
astounding level of success.
History
provides much compelling evidence that the successes of several of the great
national teams have been predicated on the acquiring of key manpower of a
dominant clubside along with an adaptation of the playing systems guiding such
clubs.
This
was true of the West German national team which had a ‘spine’ of Bayern Munich
players consisting of goalkeeper Sepp Maier, defender Franz Beckenbauer and
striker Gerd Muller, and which played the sweeper
system at the heart of which, as at club level, was the sweeper himself
Beckenbauer.
It is
certainly borne out by the Dutch side which was composed of Ajax players like Johan
Neeskens and Cruyff alongside a contingent of Feyernood players who operated
under the premise of Totaalvoetball.
The
Spanish national side has followed this path. It is composed of many players
from FC Barcelona, from which it has also appropriated the methods of Tiki-Taka; the underpinning factor in
their recent monumental successes.
This
evolved version of Totaalvoetball retains a strict adherence to the rigours of
team effort and the physical demands involved in the interchanging roles of
players who have to be constantly aware of the use of space.
At
a fundamental level it focuses on ball possession; close and sustained
possession along with precision passing which ensures their domination on the
field of play. The possession and passing provides the basis of both defensive
as well as offensive capabilities.
It
can be used to stifle and frustrate the opposition, as part of the process of
preserving a score advantage, but at the same time it can be used to create
openings for attacks.
The
style of play can be misleadingly referred to as being ‘defensive’ or as
‘counter-attacking’. Its proselytisers prefer the term ‘pro-active’. The
constant possession of the ball is somewhat analogous to the effect of a
bullfighter on his prey; luring the opposition into a state of despondency or
desperation before the sword is administered. It allows them to slow down a
game or, quick as a flash, to transform the activity into an attack from any
part of the field.
The
sense of team effort is palpable. Composed of many gifted individuals, none
stands out to a great degree from his teammates. The sum of the individual’s
skill is sublimated to the overall machinery of collective effort.
Deprived
of the services of David Villa, and wary of the suspect marksmanship of
Fernando Torres, it meant that the team was able to score goals and win without
the services, for long stretches, of a recognised striker.
In
keeping with the spirit of totaalvoetball
and its disavowal of fixed positions and the interchangeability of players,
midfielders and defenders are capable of stepping into the relevant attacking
positions to score goals as was demonstrated by the goals which were contrived
against the Italians.
This
is as distinctive a system as has ever been invented and perfected in the sport
of football, but it has a history extending further back in time than Michels’
exposition.
For
Michels was himself influenced by tactics developed in Hungary which were
utilised by that nation’s groundbreaking team of the 1950s and an even deeper
link posits the elemental origins of Tiki-Taka and Totaalvoetball to the Austrian
‘Wunderteam’ of the 1930s.
Whether
it is in essence an ‘unbeatable’ system is a contentious matter. The Catenaccio system which emphasised a
defensive strategy aimed at stifling attacking play and goal scoring
opportunities was successfully applied by a number of Italian sides in the 1960s.
But
football is a creative sport capable of tactical innovations and developing
counteractive formats of play. It was Totaalvoetball
which definitively unlocked the ‘door bolt’ of Catenaccio in the 1972 European Cup final when Ajax defeated Inter
Milan.
It remains to be seen whether a countervailing system can be formulated in
order to disrupt the Spanish style of play and be capable of consistently
overcoming Tiki-Taka.
It
is argued, with much logic, that teams cannot adopt the system overnight
because most of the Spanish players have had its nuanced techniques drummed into them from youth
level, so on a long-term basis, the possibility exists that other countries may
decide to adapt the system into their youth development programmes.
For
many, the romance of the Brazilian style of play, epitomised by the grace and
the intuitive brilliance of the 1970 side, will remain the definitive rendition
of how the game of football should be played and won. But there are of course
many difficulties in comparing teams from different time periods.
If
that Brazilian side played the ‘Beautiful Game’ beautifully, the contemporary
Spanish team play a pragmatic game replete with its own aesthetically pleasing
features which see the merging of a high level of physical fitness with spatial
ability and technical adroitness.
History,
while acknowledging the part played by aesthetics in assessing greatness, will
ultimately judge them on their record. And what a record it is, and what a
record it threatens to become if they can retain the World Cup due to be held
in Brazil in two years time.
(c) Adeyinka Makinde (2012)
Adeyinka Makinde is the author of the biographies DICK TIGER: The Life and Times of a Boxing Immortal and JERSEY BOY: The Life and Mob Slaying of Frankie DePaula.
(c) Adeyinka Makinde (2012)
Adeyinka Makinde is the author of the biographies DICK TIGER: The Life and Times of a Boxing Immortal and JERSEY BOY: The Life and Mob Slaying of Frankie DePaula.
Sunday, 24 June 2012
The Hummingbird Review: A Literary Anthology (Volume III/Number 1)
The
Blue Marble visage of the globe with the African continent at its centre as
portrayed on the cover of the latest edition of the Hummingbird Review serves
as a statement of intent.
The
Review, which according to publisher Charles Redner, is committed to “portraying
the beauty and challenges of life through literature and art” as well as
promoting “cross cultural writing in all forms” is indeed a smorgasboard of
literary modes and devices; providing a forum for both established as well as
neophyte figures.
Here, poetry is presented alongside journalism as are lyrics and screenplays with the
theme of this edition being largely to do with Africa. Redner’s thoughtful preface
is headlined in the Shona language of southern Africa and, true to its stated
intent, the content spans different regions of the continent.
The
inaugural piece features an interview with Noam Chomsky conducted by Said Leghlid,
a Moroccan-born American, in which the venerable intellectual voices his characteristically
insightful and vehement analysis of United States foreign policy, this time in
regard to the Arab Spring which of course started in North Africa.
Among
the poetical selections is The Cloud,
an 1835 work by Alexandre Pushkin, the acknowledged father of Russian
Literature who was the descendant of Abram Gannibal, a general of the Russian
Empire who may have been of Eritrean ancestry or with roots further west in
modern day Cameroon.
Among
the eye catching works are The Berber
Stone and the Cherokee Enigma, an essay which postulates the migratory
connections between North Africa and the Americas via oral histories handed
down through the mists of time, linguistic similarities, archaeological
discoveries, and even DNA traits.
Also
of interest, from this writer’s perspective, is an excerpt from a biographical screenplay
on the heavyweight boxer George Foreman. It is centred on the profound transformation
in the life philosophy of Foreman; the roots of which germinated from his experiences
related to the ‘Rumble in the Jungle’, the legendary heavyweight championship
contest he had in 1974 with Muhammad Ali in Kinshasa, the capital city of what
was then Zaire, which is now the Democratic Republic of the Congo.
Another
highlight of this edition of the review is a rationale of and an example of contextual
poetry by the genre’s proselytiser-in-chief, Dr. Thea Iberall, poet and
scientist. Contextual poetry aims to “integrate the knowledge of science and
history with the language of poetry.”
If
the purpose of literature is to stimulate thought, to provoke debate, to evoke
joy and pathos, to educate, and to develop the inherent human thirst for a personal
understanding of the stirrings of the inner mind as well as the wider world,
then the Review strives to provide some measure of each.
This
journal genuinely serves as food for the cerebral palate.
Adeyinka Makinde is the author of the
biographies: DICK TIGER: The Life and Times
of a Boxing Immortal and JERSEY BOY: The Life and Mob Slaying of Frankie DePaula. Website:http://adeyinkamakinde.homestead.com/index.html
Monday, 12 March 2012
BOOK REVIEW: John R. Bradley’s ‘AFTER THE ARAB SPRING: How Islamists hijacked the Middle East Revolts’ by Adeyinka Makinde
There is always the temptation for writers, analysts and political leaders, all with an eye on future historical narrative, to ascribe a symbolic significance to contemporary events which suggest a break with an old order and the birth of the new. British Prime Minister Harold MacMillan captured the mood of decolonisation with his reference to the ‘Wind of Change’ then “blowing across the African continent” in a 1960 speech to a largely indifferent Apartheid-era Parliament in South Africa.
In contrast to this positive message of liberation his predecessor, Winston Churchill, had thirteen years earlier gloomily assessed the series of communist party takeovers in Post War-Eastern Europe as akin to the descending of an ‘Iron Curtain’ across a continent. Both, the decolonisation of Black Africa and the sovietisation of Eastern Europe, represent the sum of individual but ultimately related national revolutions.
Revolutions are multifaceted. They may be wholly directed and executed by elites or may be engineered by a ground swell of action by segments of the masses. They may be of indigenous origin or may in fact be exported from a foreign source. By definition, they will always involve upheaval and change; out with the old and in with the new, and are often accompanied by some measure of violence, whether as the means used for effecting the change, or, as a means of resisting such change.
Those revolutions which are genuine evocations of the will of the masses and which would largely be composed of uncoordinated protests through mass gatherings, rioting or other forms of civil disobedience eventually need a focus for leadership and an underpinning rationale of the ideas proposing change.
In such circumstances, where one ideological tenet does not underscore the discontent which is driving the mass of people, the danger exists that the removal of the leader or leadership will leave a vacuum which would be filled in, or, for want of a better word, would be ‘hijacked’ by a well-organised group which may not represent the will of the people as arguably occurred with the Bolsheviks in Russia in 1917, and the Khomeini-led Islamists in Iran in 1979.
Revolutions of the popular imagination for the most part emphasize the role played by the common person. Thus, at the heart of the romantic notions with which revolutions are imbued are the deeds of the worker, the student, the farm hand, the rank and file soldier, the housewife and so on.
Contemporarily, in keeping with the need for soundbite-type captions, revolutions as expressions of the largely non-violent masses come with names such as the Czech ‘Velvet Revolution’, the Ukrainian ‘Orange Revolution’ and Georgia’s ‘Rose Revolution’.
When we think of peoples revolutions of the not too distant past, our minds cast back to the ‘People Power Revolution’ of the Philippines which brought an end to the dictatorship of Ferdinand Marcos and the ushering of democracy.
A few years later, the revolutions in Eastern Europe among the former nations of the Soviet Union-dominated Warsaw Pact led to the collapse of totalitarian regimes, most memorably the chain of events leading to the fall of Romania’s Nikolai Ceausescu and the symbolic breaching of the Berlin Wall.
It is one thing, however, to describe and analyse a current chain of events, but quite another to invoke prophecy before they happen. After the collapse of the Eastern Bloc regimes and the ending of the ’Cold War’, Francis Fukuyama infamously declared that the expected spread of liberal democratic forms of government at the expense of increasingly untenable totalitarian and authoritarian regimes, would mark the ‘end of history’.
John R. Bradley, a writer specialising in the history and politics of the Middle East, was less grandiose but extremely prescient in predicting the Egyptian uprising of 2011 in his 2008 book Inside Egypt: The Land of the Pharaoh’s on the Brink of a Revolution, which was banned by the regime of Hosni Mubarak.
The series of ‘revolutions’ which came to be known as the ‘Arab Spring’ began when a Tunisian trader by the name of Mohamed Boazizi committed suicide by immolating himself at the frustration at allegedly having his goods seized by an overly officious official of state. This in turn triggered a series of protests which eventually led to the deposing of President Ben Ali who fled into Saudi Arabian exile.
The example of Tunisia was then followed by Egyptian’s whose protests were focussed in Tahrir Square in the capital city of Cairo. Like Ben Ali, long-term dictator, Hosni Mubarak was forced to step down. Like a ‘Domino Effect’, the upheavals then spread to Yemen, Bahrain, Libya and Syria.
The Western media followed events with great interest and intensity, as indeed did the Qatar-based Al-Jazeera News Network. The line taken by the media was that the masses of the Arab nations, tired of corrupt and despotic regimes, were thirsting for Western-style freedoms as represented by a political system of liberal democracy in which pluralism and individual rights would assume primacy.
Like the Czechoslovaks, who under Alexander Dubcek had attempted to unshackle themselves from the Soviet system via a process of liberalisation in an episode referred to as the ‘Prague Spring’, so it was that the Arabs wished to dislodge the perennial scourge of dictatorship from their countries.
While the media rhapsodized about the efforts of groups in Tahrir Square who valiantly organised themselves and disseminated information via social networking sites such as facebook and twitter, United States President Barak Obama claimed that the uprisings were ‘proof’ that the Arab masses had not been influenced by Al-Queda and Islamic fundamentalist thinking, but by Western ideals of freedom and pluralism.
Not so claims Bradley, whose After the Arab Spring examines the underlying motivations of the demonstrators in Tunisia and Egypt, and also explains why those who represent the ‘Western liberal’ reformist segment of the political classes in these countries are not in a strong enough position to assume the mantle of leadership.
His thesis is straightforward enough: years of Western governments’ indulging of Arab dictatorships whose repressive measures largely submerged viable liberal-leaning opponents, but who while cracking down on Islamists also left enough of their structures in existence to serve as a bargaining tool with the West, has meant that Islamic fundamentalists in both Tunisia and Egypt, represented respectively by Ennahda and Al-Gamaa Al Islamiya, are poised to take over these societies.
Interestingly, he claims that these groups are not necessarily concerned with seizing power immediately, and instead would rather concentrate on Islamisizing the societies from the bottom up. The future, they believe, belongs to them.
He gives ample evidence of the efforts of the well-organised adherents of Salafism, an extremist Islamic creed which professes a wish to return to the pre-modern application of the religion, in enforcing Islamic codes and mores on the streets. Salafism is the puritan Egyptian counterpart of Saudi Wahhabism.
In his book The Siege of Mecca (2007), Journalist Yaroslav Trofimov, traced a direct line between the armed insurrection in the holy city by one Juhaymon Ul-Taibi and his followers to the events of September 11th 2001 and the contemporary struggle between the West and Islamic fundamentalists.
In short, stunned by the severe criticism of the perceived extent of encroaching ‘Westernisation’ of Saudi society by clerics, the Saudi royals entered a deal whereby in exchange from not interfering with their running of the country, they would sponsor the policy of extending Wahhabism via the establishment of a network of Islamic centers of education, known as madrassas, in the wider world. The net result argued Trofimov, has been a rise in extremism and the fodder for the Jihadist guerrillas and terrorists who have been waging war against the Western world.
With the fall of the Tunisian government, Muamar Gadaffi in Libya, the rising influence of Egyptian Islamists and the potential fall of the Baathist regime of Hafez Al Assad’s Syria, one of the results of the so-called Arab Spring would be the dislodging of the remnants of secularism in the Arab world.
In Tunisia, a country built on the charismatic leadership of Habib Bourguiba, the gains made in terms of social and economic freedoms appear to be dissipating in the aftermath of the fall of Ben Ali. Bradley persuasively argues that the ‘social contract’ by which Tunisians enjoyed a wide range of freedoms and benefits in return for not mounting political challenges has perhaps been irrevocably broken.
He is particularly good at pointing out the hypocrisy of the West who armed and supported Libyan rebels against Gadaffi, but who turned a blind eye to the suppression of Bahraini protesters by Saudi troops acting to protect the monarchical despots who rule that nation.
When Gadaffi announced that the West was arming insurrectionists who were adherents to the philosophy espoused by Al-Quaeda, the media smirked. But events have since proved him right. Armed to the teeth, the Libyan Islamic Fighting Group along with a rabble of vengeful, racist and genociadal rebels have butchered their foes in a series of beheadings and mutilations culminating in the lynching of Gadaffi himself.
In a short but excellent segment of analysis which illuminates the nature of power politics, as well as the expediency of the sorts of ‘unholy’ and alliances Western powers have consistently made in the Middle East, Bradley compares and contrasts the kingdom of Saudi Arabia with the republic of Iran; the former, a Sunni nation which oppresses the Shia minority in its oil rich eastern province, and the latter, a Shia nation that marginalises the Sunni minority in its oil producing Khuzestan province.
Run as theocracies, both are regional rivals whose competiveness is exacerbated by the current uprisings. Many of the features of their governance are antithetical to the values espoused by the United States. Yet, America backs the Saudis to the hilt and turns a blind eye to its foreign interventions, the virulent anti-Jewish propaganda in its learning curricula and its human rights violations while demonizing Iran.
But of course, Realpolitik, holds sway: Saudi Arabian action in putting down Shia protests in Bahrain not only perpetuates the Sunni hegemony in that country, it also protects the interests of the United States because of the naval base stationed there.
It also means that the kingdom will vote for the US and bring along the Arab league in a half-filled conclave in support of US and Western European bid for Libyan oil, while America and its allies turn a blind eye to Saudi suppression of revolts in its troublesome Shia region.
The fallacy of the claim that NATO was protecting demonstrators from being massacred in Libya is confirmed by the lack of evidence of any mass killings having taken place. It is clear that the Americans wish to use the uprisings as an excuse to remove those countries in opposition to its foreign policy objectives.
Bradley does not go into the motives the West went for broke in seeking the ouster of Colonel Gadaffi. Certainly, it is difficult to see how the blood of Libyan protesters is more precious than the blood split by protesters in Bahrain, Yemen or Syria where, so far, the Western powers have been unwilling to intervene.
And while oil played a part in it, so too, it is argued, did Gadaffi’s plan to introduce the gold dinar, an African currency which would have rivalled the dollar and the euro. The idea that African and Muslim nations would sell oil and other resources around the world in a currency other than for dollars and euros is one which the West ultimately could not countenance.
With Gadaffi gone, the other states which would be targeted are Syria and Iran, both of which enjoy good relations with Russia and China. It may be a long-term geo-political ploy engineered in the corridors of Washington’s policymakers’ and ‘think tanks’ linked to Western corporate interests to contain the threat of these nations.
Nonetheless, with the unleashing of the forces of puritanical Islam, such meddling may ultimately come back to haunt the West. The expedient support of Mujahideen guerrillas in Soviet-occupied Afghanistan among whose ranks was the young Osama Bin Laden springs to mind, as does the advent of a Shia dominated, and Iranian-influenced government in post-invasion Iraq.
It is perhaps a lazy analysis to infer that the West is inadvertently presiding over the creation of a modern Islamic Caliphate, but the irony is that such scheming may lead to the cultural and political domination of North Africa and the Middle East by Sunni Islamism under the suzerainty of the Wahabist Saudi kingdom.
If this happened, it would signal the final victory of the proponents of pan-Islam over the secularists who in the heyday of Gamal Abdel Nasser had projected the cause of pan-Arabism under the stewardship of Nasser.
If one primary result of the so-called Arab Spring is the dislodging of the remnants of secularism in the Arab world, it is a cause for concern, notwithstanding that the overthrown regimes were corrupt or oppressive. As Bradley points out, Ben Ali largely continued Bourguiba’s policies which led to a strong economy and individual freedoms so long as they did not challenge the political authority of the rulers.
He mentions nothing about Gadaffi’s achievements. Yet, his eccentricities notwithstanding, the Jamahiriyan republic of Libya provided free education and health services to the masses , as in Tunisia women were accorded opportunities for social advancement. Not least among his achievements was the feat of developing the ‘Great Man Made River Project’ which provided water to the country’s major cities.
The apostate-form of Ba’athism as practised in the police state of Syria nonetheless has kept a balance of peace and protection for the rights and interests of different ethnic and religious groups. The removal of Assad and the Alawite minority from control would lead to a Sunni-Shia conflict in the midst of which the Christian minority, as happened in Iraq and is happening in Egypt, would face increasing persecution.
So what to make of the ‘Arab Spring’? Despite the grandiloquent passages in the initial rose tinted coverage by the Western media which waxed lyrical with the usual sentimental metaphors and motifs of revolution, the uprisings have been shown to bear little of the romantic notion of fighting for Western-style liberal democracy; most protesters having been simply motivated by their deteriorating economic circumstances.
That Arab societies seem perpetually to be governed by dictatorships need not be considered a foible of fate or adjudged to be an ineradicable cultural phenomenon, if a ‘social contract’ of the sort established by Bourguiba in Tunisia brings about positive social and economic advancement.
But even the overthrow of Gadaffi which involved the decimation of Libya’s infrastructure by NATO and the deaths which have ensued has thrown Libya onto the path of an instability from which it will be difficult to recover. The covert and overt interventions by the West’s military and intelligence services has simply helped unleash the forces of religious intolerance and tribal chauvinism in many of the affected nations.
Bradley’s discourse provides sufficient evidence that the West’s role in promoting and directing events without ultimately achieving the secularization and democratization of the powerhouse nations of Saudi Arabia and Iran will ensure that an apparent victory in unseating the regimes of certain countries will, ultimately in the long term, be a pyrrhic one.
Adeyinka Makinde is the author of the biographies: DICK TIGER: The Life and Times of a Boxing Immortal and JERSEY BOY: The Life and Mob Slaying of Frankie DePaula. Website: http://adeyinkamakinde.homestead.com/index.html
Monday, 5 March 2012
Commentary: Ron Lipton – Referee By Adeyinka Makinde
Ron Lipton
There are several component parts making up the sum of what historically made the sport of boxing a vital and compelling form of entertainment for the American fight fan. Primary among these was the development of raw talent from the neighbourhood clubs as well as overseeing the transition of amateur fighters to the professional ranks through the state and nationwide boxing programs.
There was also the requirement that the promoters matched such talent competitively and regularly if they were to hold the interest of the fans. It is no surprise therefore that the maladies of contemporary boxing stem, arguably, from the non-availability and the mishandling of talent as is palpably demonstrable with the state of the heavyweight division. It is also quite clear that for a miscellany of reasons, fight promoters are failing to deliver genuinely competitive bouts in the main event and under-the-bill match ups. The reasons for the aforementioned continue to be argued and debated upon by members of the fight community.
One other matter consistently featuring in the heated discourse on the state of the sport is the standard of officiating. The fallout from recent world title matches involving Floyd Mayweather and Victor Ortiz, and Amir Khan and Lamont Peterson are examples of bouts which caught the eye of the wider news media for all the wrong reasons.
For the aficionado, however, part of the overriding sense of malaise and degeneration in the fortunes of the sport which he loves is increasingly centred on the quality of refereeing.
Unlike other fields of professional activity where optimum standards of performance are demanded, and a high enough threshold is demarcated for practitioners to function at a level which is acceptable, it has often appeared that the administrators of the sport have been rather lax in enforcing minimum levels of competence.
Consider for instance, the debacle which ensued at the end of the bout between Floyd Mayweather and Victor Ortiz. The signals and the instructions given by the referee were not clear and precise enough; and almost reminiscent of the second Muhammad Ali versus Sonny Liston bout, Joe Cortez allowed his attention to be drawn away from the fighters. It is not being presumptuous to speak about cardinal principles in refereeing the sport of boxing, and Cortez broke more than one that night.
Some would tend to view refereeing as a combination of both art and science, involving the exhibition of both mental and, to an extent, physical strengths. The referee sets the tone for the fight. He is an impartial arbiter who must covey authority without being overbearing, and must also have developed a level of focus and concentration; a presence of mind, to an extent that when called upon, he can demonstrate razor sharp reactions.
If, as is widely argued, there has been a diminution in refereeing standards, the question then has to be asked why this is the case. Is it, for instance, a situation where referees do not receive the requisite amount of training in order to sufficiently cope with the demands of a professional boxing contest? Or might it be that the pool of talent for referees is somewhat constricted? What criteria, it may be asked, is referred to when selecting referees for assignments? This is a key issue, given that the selection of referees has a bearing on the credibility of sport both from the perspectives of the aficionado-fan and the wider sporting world.
With what specific attributes should a competent boxing referee be imbued? Some argue that rather as is the case with the fighters, a referee should gain experience within the amateur game before graduating to the professional ranks. The argument goes along the lines that they are inculcated with the fundamentals of the game; learning for posterity, the essential habits of concentrating on the fighting in the ring and enforcing discipline.
But there is a counter argument. There are those who insist that an amateur refereeing background, including having experience at Golden Gloves and Olympic levels, translates poorly into the professional ranks and is demonstrated by some referees who tend to be unnecessarily authoritarian and overly intrusive in the fights.
Whatever the pre-pro bout experience of some specific referees, those who are familiar with the peculiarities of the chaotic contest between Miguel Cotto and Yuri Foreman in June of 2010 will perhaps be appreciative of this point. The BBC headlined its report as a “New York Farce”.
One particular area of concern regarding the handling of bouts involves the degree to which referees should intervene to separate fighters. There is of course no question that when one fighter ‘ties up’ another as a defensive measure or as a persistent manoeuvre aimed at frustrating his opponent, the referee should act to prise them apart, and in so doing will be facilitating the fluid progression of the bout.
However, a problem arises when one boxer is attempting to engage in ‘inside fighting’ and is prevented from doing so. When fighters complain that “I wasn’t allowed to fight my type of fight” as in the case of Ricky Hatton during his bout with Floyd Mayweather, the factor of a referee acting as less than a neutral arbiter comes in to play, since his actions serve to obstruct the rhythm of the one who is disadvantaged while aiding the game plan of the other.
This does not condone the sort of referee who takes the other extreme of affecting a ‘non-interventionist’, aloof strategy. By consistently situating themselves at places in the ring which are arguably too far from the action, the danger exists that he may become almost detached from the proceedings, and that his reactions to a situation may be affected by his distance from the combatants. Close calls are missed, and the possibility that the referee may intervene a punch or two too late is a risk not worth taking.
While referees are not expected to be within the age range of most active fighters or to be as physically honed, it does grate some when they set about their task pot-bellied and grossly overweight.
A referee must also be independent and not be swayed either by actions of ‘super star’ boxers or the emotions of a crowd; the latter evidently occurring six years ago in Germany when Arthur Abraham was allowed to fight open mouthed from a broken jaw in his fight with Edison Miranda.
The pungent whiff of favouritism and political expediency has for some time tainted the decisions reached in the selecting of officials, and this has manifested itself in the unsatisfactory conduct of a number of bouts. Those who have benefitted over the years from the patronage dispensed from the fiefdoms of boxing commissions are well known to the fight community.
But there are those who have suffered under this system, one of who has been Ron Lipton. Lipton became familiar to fight fans in the 1990s when he regularly officiated in bouts broadcast by, amongst others, the HBO, ESPN and Madison Square Garden channels. He was the third man in the ring in the first bout between Chris Eubank and Steve Collins, Evander Holyfield and Bobby Czyz, Tommy Morrison and Donovan ‘Razor’ Ruddock, Pernell Whitiker and Gary Jacobs, as well as other bouts involving Roy Jones, Roberto Duran and Oscar DeLaHoya.
Outside of the United States, Lipton refereed world title bouts in Italy and Ireland. His longstanding involvement in boxing ranges from an amateur career as a three-time Golden Gloves lightweight champion of New Jersey, to serving as a sparring partner for middleweights Rubin Hurricane Carter and Dick Tiger, and as a witness to boxing history with his associations with these fighters and the likes of Muhammad Ali.
After years of being denied a licence, Lipton was granted one in October last year by the New York State Athletic Commission. This is a welcome development for those who recall the finesse and sense of professionalism which he exhibited during the bouts that he handled.
For Lipton, the key lies in selecting those who have “vast boxing experience, who are in shape, are quick, fluid, and have performed well under pressure while remaining cool”.
And how does he handle the aura of the contemporary boxing ‘superstar’ or high-profile fighter with an ego to match that of a Roman emperor? “All boxers, champs and challengers, should be treated the same,” he is on the record as stating.
When Bobby Czyz made insinuations about Evander Holyfield in a bout in order to get it stopped earlier than it eventually went, Lipton held firm. Fans will also recall Roy Jones signalling Lipton to stop his bout against Bryant Brannon. Brannon was being dominated by the lightening fast Jones, and from a distance he appeared to be getting consistently hammered. What most did not see, but as the third man in the ring was apparent to Lipton, was that Jones was missing many of his shots by fractions of inches. Again Lipton only stepped in when he was satisfied that Brannon was unable to continue.
Apart from insulating himself from the tendency for some referees to be overawed by the status of certain fighters, Lipton’s handling also makes a non-issue the sort of lingering suspicion held about some in his profession who have pre-designated notions as to the sort of fighting style they favour: boxer or puncher, the important thing is to treat both equally and not to allow either to get away with any infringements of the rules.
Biases of the aforementioned type were magnified when referees were given the responsibility for scoring bouts. This is no longer the case in American jurisdictions and is a state of affairs Lipton is happy with. “There is”, he once mentioned, “too much going on in the ring.”
And what do fans look forward to when Lipton is finally selected for his return to the ring? A calm and unobtrusive arbiter who is primed to make interventions when he adjudges such an action to be required. With Lipton there are not the sorts of irritating and objectionable features boxing fans have had to endure over the years including hysterical gesturing of the hands, the making of overly emotional faces or yelling orders to boxers in a gruff manner. Importantly, he sets the tone before the action commences by keeping control in the respective dressing rooms and preparing each fighter for any contingency before he gets into the ring.
As he stated in an interview conducted over a decade ago, “My instructions in mid-ring are always the same: ‘I’ve given you the rules. Respect each other, obey my commands, and let’s keep this strictly professional.”
The honour of having been selected to officiate a professional title match is what spurs him on, and boxing fans will no doubt be honoured to have him in the ring sooner rather than later.
For further information on Ron Lipton: http://www.ronliptononline.com/
Adeyinka Makinde is the author of the biographies: DICK TIGER: The Life and Times of a Boxing Immortal and JERSEY BOY: The Life and Mob Slaying of Frankie DePaula. Website: http://adeyinkamakinde.homestead.com/index.html
Monday, 5 December 2011
BOOK REVIEW: Geoffrey Bocca’s The Secret Army (1968)
The post-World War era of de-colonisation of African and Asian territories run by the European powers was a phenomenon filled with variant levels of political intrigue, social transformation, and inevitably bloodshed.
The pre-war sentiments driving the various nationalist movements agitating for independence was given an added impetus by the diminishing capacities of the empires of France and Britain, both of which would yield to the demand by United States president Franklin D. Roosevelt that they break up their empires. The ‘Wind of Change’, to quote Harold MacMillan’s famous declaration of the early 1960s, would blow across both continents where a thirst for freedom and a belief in the right to self-determination took a firm hold.
The pre-war sentiments driving the various nationalist movements agitating for independence was given an added impetus by the diminishing capacities of the empires of France and Britain, both of which would yield to the demand by United States president Franklin D. Roosevelt that they break up their empires. The ‘Wind of Change’, to quote Harold MacMillan’s famous declaration of the early 1960s, would blow across both continents where a thirst for freedom and a belief in the right to self-determination took a firm hold.
The execution of this mass programme of constructing the birth of nations, while smooth in regard to some countries, was marked by a number of conflicts which dominated the world news.
A notable early example of a resulting violent cataclysm was the episode of Partition in India which led to the creation of Pakistan. Apparently smooth transfers in the Belgian Congo and Nigeria did not prevent future paroxysms of conflict that threatened the viability of both countries continuing as nation states.
There were of course those countries which were earmarked for decolonisation before others. It was argued, with increasing frequency after wars broke out in the Congo and Nigeria, that the pace was too fast, that many of them were ‘not ready’ for self-government.
Among the European nations, the Portuguese appeared to be unyielding in the demands that they set their African colonies free, and ensuing wars in Angola and Mozambique became emblems of the anti-colonial struggle set against the backdrop of a Cold War between the United States and the Soviet Union.
Among the European nations, the Portuguese appeared to be unyielding in the demands that they set their African colonies free, and ensuing wars in Angola and Mozambique became emblems of the anti-colonial struggle set against the backdrop of a Cold War between the United States and the Soviet Union.
While inter-ethnic rivalry between indigenous groups within the artificially constructed African nations formed a side of the equation, so too, in some instances, did the matter of the rights of European settler populations who sought special protections and even continued political and economic supremacy.
In the fevered analysis of European chauvinist and ‘white nationalist’ thinking, the ceding of power signaled the beginning of an unwelcome age marked by waning white domination over the black and brown peoples of the world.
While black majority rule came relatively quickly to Kenya, there would be longer waits for those in Rhodesia (later Zimbabwe) and South Africa.
If with the passage of time, a tendency exists to view the war in Algeria as a ‘last stand’ of a white minority settler population against a non-white majority, it is a misreading of a vastly more complex state of affairs.
For one, the Pied Noirs, translated in English to mean ‘Black Foots’, were unlike the largely British descended Rhodesians or the historically autonomous Afrikaner community in South Africa. Many were of non-French stock being of Spanish, Italian and Maltese heritage, and while ahead of the Jewish and Moslem Algerians in the racial pecking order of colonial society, were considered according to author Geoffrey Bocca to be “Second Class Frenchmen.”
Also, the territory of Algeria was not a far away dominion which had traditions of self-rule, but was in fact ruled directly from France and indeed was considered a part of Metropolitan France. The prevailing attitude was that the Mediterranean sea separating France from Algeria was no different from the Seine dividing Paris; a mere geographic detail in other words.
‘The Secret Army’, a book by Geoffrey Bocca, was published in 1968 only a few years after the end of a short but particularly vicious underground war which followed on from events that divided France. The Secret Army was in fact the Organisation de l’Armee Secrete (O.A.S.), which consisted of renegade personnel of the French army as well as civilians dedicated to keeping Algeria French.
Just how this state of affairs came about, one involving the waging of a clandestine war against the French state marked by acts of terrorism and the assassination of some officials as well as the attempts made on the life of the head of state, Charles de Gaulle, bears some recounting.
The Algerian war of independence commenced in 1954 after attacks initiated by Muslim insurrectionists belonging to the National Liberation Front (F.L.N.). The French army, though defeated in Indo-China, was battled hardened and up to the task. They took on the insurgents in a campaign marked by a great deal of brutality and in essence had pacified Algeria by the time the O.A.S. came into being.
Agitation from military commanders in Algeria led to the fall of the French Fourth Republic in 1958, and the return to centre stage of Charles de Gaulle whose initial pledge to keep Algeria French was later reversed in favour of negotiations with the F.L.N. and a decision to grant Algeria independence.
It was thus with the sting of the ‘betrayal’ by de Gaulle that elements within the military based in Algeria decided in April of 1961 to stage a putsch, Putsch des Generaux. Led by Generals Salan, Zeller, Jouhaud and Challe, the coup initially suggested that France was poised for civil war. It fizzled out after a few days and out of its ashes, a group of officers and civilian cohorts banded together to form the O.A.S. Their slogan was L’Algeria est Francaise et le restera: Algeria is French and will remain so.
Although it is clear that officers from the French military rebelled against the constituted order, in the process throwing away career, pension rights, private interests and reputation, the reasons for voluntarily becoming outlaws in a proscribed body are not easily explained. Reasons for joining the OAS, as Bocca explained were “sometimes contradictory”.
For General Paul Gardy, the end of Algeria meant the end of the foreign legionnaires.”What else mattered?” he responded to Admiral Querville, a naval commander who was key in snuffing out the coup of April 1961 which Gardy had joined.
The OAS were claimed to be fascists, but three of the four generals in the putsch, including the organisation’s nominal leader, Salan, were to the left of the political spectrum. It was claimed to be racist, but included among its ranks were Arab Muslims. And Algerian Jews were among its most fanatical adherents.
The OAS were claimed to be fascists, but three of the four generals in the putsch, including the organisation’s nominal leader, Salan, were to the left of the political spectrum. It was claimed to be racist, but included among its ranks were Arab Muslims. And Algerian Jews were among its most fanatical adherents.
That they considered themselves to be French patriots is certain enough although de Gaulle, somewhat predictably, in a speech after the Evian agreement referred to them as “Misguided chiefs and criminal adventurers”.
They were fighting a lost cause by the time it was created. And for a time, they fought, if not for an already elusive victory and the overthrow of the French republic, for a power vacuum which might have been achieved with the physical elimination of General de Gaulle.
Fractured between movements based in Madrid, Paris and Algiers, the O.A.S. faltered as its members differed on tactics. Many wanted de Gaulle dead, but General Salan did not. They divided in to those whom Bocca referred to as ‘mystics’ and others who he dubbed ‘pragmatists.’ Members, who had thrown away status, pension rights and peace of mind, sighed at the relative listlessness of the Pieds Noir who offered support only to a limit.
For a time though, particularly in Algiers and Oran, the O.A.S. reigned. They could pledge to strike at any time and place of their choosing and back it up. For instance, in ‘Operation Rock n’ Roll they detonated 120 bombs in Algiers while independence talks were going on. When de Gaulle sent in a specially created secret squad of security agents to purge the dissidents, the O.A.S. virtually wiped them out.
The Barbouzes, the Bearded Ones, were a kind of French Black and Tans but did not stand a chance due to O.A.S. infiltration of the civil society of Algeria. Also, thanks to the “sympathetic passivity” of the mainstream French army, which de Gaulle shrewdly did not instruct to initiate a mass crackdown because of doubts about its loyalty, the OAS survived and even thrived.
Bocca gets to the essence of the personalities, for he knew many of the participants personally and weaves a compelling tale of history and politics, of context and sub-texts.
Among a cast of memorable characters ranging from Bobby Dovecar, the baby-faced Austrian executioner of the Foreign Legion to the O.A.S.’s ideologue and philosopher-in-chief, Jacques Susini, the stand out is the formidable and charismatic Roger Degueldre, an NCO who reached the rank of Lieutenant and who was de facto chief of operations.
Among a cast of memorable characters ranging from Bobby Dovecar, the baby-faced Austrian executioner of the Foreign Legion to the O.A.S.’s ideologue and philosopher-in-chief, Jacques Susini, the stand out is the formidable and charismatic Roger Degueldre, an NCO who reached the rank of Lieutenant and who was de facto chief of operations.
His greatest success was possibly the annihilation of the Barbouzes, but in time he like Colonel Bastien-Thiry, who led the failed ambush of de Gaulle at Petit Clamart in August of 1962, would be captured and meet his death at a stake before a firing squad at the Fort D’Ivry barracks in a Parisian suburb.
The OAS infiltrators became infiltrated themselves. Ever the survivor, de Gaulle, his baraka an almost palpable hovering presence, eluded the secret army’s attempts to murder him. His escapes defied reason as did, from the perspective of the ‘wronged’ O.A.S. combatants and their sympathisers, his about turn on Algerian independence.
But there was no way forward after the Evian accord was given a ninety per cent approval in the referendum held in April 1962. Bocca, a writer par excellence in describing the post-Evian brake down in law and order in Algiers writes eloquently about the degeneration by referring to ”the scatterlings of every holocaust, who crawl out like roaches through the gaping holes of a collapsed civilization to rob the dead, ransack the dead, and dress in stolen finery.”
His book is a masterpiece of reportage, capturing a fascinating and tumultuous period in French history which goes far in explaining the extraordinary convergence of events and personalities in an evocative and revealing manner.
(c) Adeyinka Makinde (2011)
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